![]() ![]() And animation brought gold to that scene. There is a larger-than-life feeling you get with wide-angle lenses. It was brand new at the time and all the rage-it was attached to a cable so it could move across the wide spans of a stadium. ![]() I looked at technology from the era and found the Spidercam. “We really wanted our camera and choreography to capture the look and feel of videos from the late 1990s and early 2000s. ![]() “I was obsessed with the boy band scene to the point where I spent an entire weekend watching every NSYNC and Backstreet Boys music video I could find,” says Abousaeedi. No, I’ve just got some work issues I’ve been putting off for the last few days that I need to sort out. “We did a bunch of stage fog, pyrotechnics and vapor geysers,” says Hale.ĭirector of photography Mahyar Abousaeedi set out to create an authentic concert experience. Artists started with the actual dimensions of Toronto’s SkyDome, then played with the scale to find the sweet spot, allowing the climactic ending to unfold to its greatest potential.Įffects supervisor Dave Hale and his team studied live concerts to help build the effects for the concert sequences. Mei and her friends are determined to attend the 4*Town concert, so filmmakers knew they’d need a spectacular venue for the occasion. ![]()
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